Yes, Blessing in Disguise is a romantic comedy about the infamous venereal gift that keeps on giving.
All posts in 'Live Action'
One of the great things about the short format is that it allows talented directors to dabble in a variety of genres. Case in point: director Antonio Oreña-Barlin. A SotW alum, his previous featured short, Suburbia was an intense single-shot portrayal of an active shooter event—suspenseful and emotionally harrowing. His latest, Drawcard, is a comedy about a guy who draws a dick on a sympathy card. If that doesn’t’ show directorial range, I don’t know what does.
Can’t get enough Black Mirror? Wish each episode was a significantly shorter?
*Puts on a used car salesman accent* Well, boy do I have the short film for you!
Instagram, Facebook, Twitter, Snapchat…who needs the messiness of IRL human interactions when all we need is a thumb, a smartphone and wifi or data to communicate? As anyone under 40 can surely tell you though, social media has its own drawbacks, and in 5 Films About Technology writer/director Peter Huang conducts a kind of anthropological study—exposing the dumber side of modern technology in a painfully hilarious, and very entertaining way. Funded by the BravoFact Canadian grant, the 5-minute anthology of bite-sized vignettes recounts different stories, linked by one common thread—smartphone usage and its malignant effects. Read more…
Cleverly jumping through key moments in their relationship, the film takes you through the duo’s cold beginnings to their emotional “break-up”. Regan says the film was inspired by “dads that struggle to verbalise their love but show it so clearly in their subtle actions” and it’s certainly the connection between her two main characters (and the performances from her lead actors) that gives the film its impact – it’s a real emotional rollercoaster. Read more…
Inspired by the early films of John Carpenter and a particularly unnerving underpass the director walked through on his way to work, The Crossing is a Russian Horror with some impressive FX work and a haunting premise. Set in a subway late at night, Arseny Syuhin’s 7-minute short takes a recognisable, ubiquitous setting and toys with the fears we’ve all probably experienced using it, by making it the home of a blood-thirsty creature.